The Palace Miller-Aichholz (since 1955 Europahaus Vienna) in the 14th district was built in the mid-18th century by Johann Bernhard Fischer vor Erlach for Baron von Grechler.

Later it was owned by the Esterházy family for about 100 years and due to its favorable location near the Vienna Woods it was a meeting place for private hunting parties, in which even Emperor Franz Josef I took part. From 1894, the Miller zu Aichholz family of industrialists and scholars used the property, which they then had to sell to the state in 1938 due to the world economic crisis.

The 2-story, elongated baroque building with garden-side state rooms with a rich collection of pictures is today, together with the extensive park including the largely original „Sonnenfanghaus“ (Orangerie), used for weddings, seminars and festivities of all kinds.

Magnificent view to the north and south from the rooftop of the Haus des Meeres in the 6th district.

The Don Bosco Church (parish church Neuerdberg) in the 3rd district planned by Robert Kramreiter, was opened after 4 years of construction in 1958 on the site of an elementary school destroyed in WWII and forms with its well-proportioned form with powerful west work a beautiful example of post-war modernism (Mid-century modern) in Vienna.

The (presumably) first exposed concrete wall in Austria, equipped with concrete dimension work by Rudolf Szyszkowitz and the central portal with enamel mosaic by Otto Beckmann form the prelude to the clearly arranged basilical section of the interior, richly equipped with glass windows. At the start we are greeted by a statue of the 1934 canonized Ital. Priest and founder of the order Giovanni Melchiore Bosco, who was committed to disadvantaged children and young people throughout his life.

Besides the light-diffusing wall with stained glass windows by Georg Meistermann, the Stations of the Cross designed by Hermann Bauch, the choir windows by Margret Bilger and the „Symbols of Love in the Form of a Cross“ by Kurt Absolon are particularly impressive.

The Antwerp Passion Altar from about 1460 in the museum of the Votivkirche is considered the most important surviving carving with original coloring from the second half of the 15th century and was owned by the sculptor Hans Gasser, among others, until it was purchased by Emperor Franz Josef I for the Ambras collection in 1858 and donated to the church about 20 years later.

The sculptures are Gothic carvings in front of landscaped reliefs. Despite the unique state of preservation, a comprehensive restoration and addition of four figures, which were apparently stolen, took place in the 1960s.

In addition to the effectively painted and decorated costumes, the canopies and the gilded rocks signaling the sun’s reflection also show an effort to authentically convey the extensive pictorial work with Passion depictions of the Carrying of the Cross, Crucifixion, Deposition from the Cross and Lamentation of Christ.

In the course of a Sneak Preview to the Open House – Event on 9 & 10 Sept 2023 there was the opportunity to visit the Vienna University Library in the strict-historical main building of the University of Vienna by Heinrich Ferstel from 1883 at the Ringstraße. With nearly 8 million books, e-books, e-journals, etc. in several locations, it is the largest academic library in Austria.

In addition to the now 2-story, large reading room with skylight of the 1365 founded, and thus oldest university library in the German-speaking world, also the 1960s by Erich Boltenstern planned book depository with about 3 million volumes, the newly designed front area and the entablature can be visited.

Information is also provided on current developments with regard to the further development of the collections and a new book depot in Paukerwerkstrasse in Floridsdorf, which was approved in July of this year, to relieve the pressure on the inner city areas.

The bronze Nestroy Monument in honor of Johann Nestroy in the 2nd district was created by Viennese sculptor Oskar Thiede and originally unveiled at the nearby Nestroyplatz in 1929. After being placed in the Max Reinhardt Seminar for over 30 years, it returned near its original location in 1983.

The playwright, comedian, theater director and opera singer, born in Vienna in 1801, is shown here in the role of the main character „Blasius Rohr“ from the satirical farce „Glück, Missbrauch und Rückkehr“ (Happiness, Abuse and Return), who comes into wealth as a poor clerk, but loses everything through his pomposity and in the end is allowed to marry his beloved Babett.

Even during his lifetime, Nestroy was regarded as the central protagonist of the high point of the old Viennese folk theater in the first half of the 19th century, an Austrian form of theater which, due to its Viennese dialect, musical interludes and closeness to the realities of life, still enjoys a high degree of popularity among all sections of the population today.

A remarkable example of the combination of industrial construction with social housing of the Belle Époque is the Jubiläumswerkstättenhof with adjoining people’s apartments in the 6th district, built in 1908/1909 on the occasion of the 60th anniversary of the reign of Emperor Franz Josef I.

The aim of the project designed by the architects Otto Richter and Leopold Ramsauer was to promote small commercial enterprises with affordable workshops and apartments, i.e. work and living under one roof.

This is probably how the idea of the coworking space, which is so popular with startups and EPUs today, was founded around 110 years ago. Up to 70 companies use the 150 or so workspaces, and productive networking also increases the joint prospects for success. Today, there are more than 30 coworking spaces in Vienna in 15 different districts, most of them easily accessible near a subway station.

On the way to Kahlenberg you can discover one of the most beautiful viewpoints in Vienna at Cobenzl (Reisenberg) in the 19th district. Originally owned by the Jesuits, the mountain came in the 18th century to Johann Philipp Count Cobenzl, who, in addition to a castle-like building and gardens, also had a farm with dairy established.

At the end of the 19th century, a construction company converted the property into a hotel restaurant, and later the municipality of Vienna took over the site. The original castle hotel was devastated during WWII, then remodeled and finally demolished in 1966.

On the hill, which is easily accessible due to the construction of the Höhenstraße in the 1930s, a Rondell café and a newly built small castle were later built, but due to conflicts with the operators, the Cobenzl fell into a slumber. In the course of a new takeover and recently completed renovation, a freely accessible panorama house was also added and can now also be used again as a prestigious event location.

The Athene Fountain on Vienna’s Ringstrasse, planned by Theophil Hansen and realized in Lasa marble from South Tyrol, was not unveiled until 1902, almost 20 years after the completion of the parliament building. The originally planned representation of Austria was then erected on the Freyung for political reasons.

Beneath the powerful representation of the Greek goddess of wisdom with Nike, the goddess of victory, in her right hand, allegorical representations of the separation of powers are shown: the executive with a sword and the legislative with a book. Important rivers of the monarchy: the Inn and Danube in the center, the Elbe and Vltava on the reverse are typically depicted as reclining figures. Winged cupids riding on dolphins symbolize trade and industry.

The fountain, which was completely renovated in 2005, is considered a rare example of a monumental, Strict Historicism sculpture and was realized by the sculptors Carl Kundmann, Josef Tautenhayn and Hugo Haerdtl.

The Hofburg Chapel, as the main chapel of the Hofburg, was the house chapel of the Habsburgs until the end of the monarchy in 1918. It was built in the late Romanesque style as early as the 13th century and was rebuilt and expanded in the Gothic style in the 15th century under Emperor Frederick III. It was the responsibility of the K.u.k. Hof- und Burgpfarre, a Roman Catholic parish with special status under church law, which was responsible for the spiritual care of the imperial family and the court.

Already under Emperor Maximilian I, the Vienna Hofmusikkapelle, founded in 1498, gave concerts there. Today, it consists of the Vienna Boys‘ Choir, parts of the Vienna Philharmonic Orchestra, parts of the Herrenchor of the Vienna State Opera and the Choralschola, a group of former Vienna Boys‘ Choir members.

The ensemble, which is today subordinate to the Federal Ministry of Arts, Culture, Civil Service and Sports, performs not only in public concerts but also, in particular, as an accompaniment to Sunday Mass in the Hofburg Chapel (except July and August).