The equestrian statue of Emperor Joseph II from 1807 on Josefplatz in the 1st district was commissioned by his nephew Emperor Franz II/I from the sculptor Franz Anton Zauner and is modeled on the Roman statue of Marcus Aurelius on the Capitol in the Palace of the Conservators in Rome. In addition to the exemplary style of the model, the Roman emperor also plays a role in Vienna in terms of content, as he is said to have died near Vienna.

The bronze cast was made in the imperial canon foundry on Wieden and was considered the largest cast outside France at the time. The statue stands on a pedestal made of polished Mauthausen granite, which features reliefs and medallions with scenes of trade and agriculture.

A model of the statue from 1797 can be found in Schönbrunn Palace Park.

The Grillparzer monument by Carl Kundmann (figures), Rudolf Weyr (reliefs) and Carl Hasenauser (architecture) in the Volksgarten in the 1st district was unveiled in 1889, around 17 years after the 81-year-old’s death. It depicts the famous 19th century Austrian playwright together with scenes from his literary works (left: Die Ahnfrau, Der Traum ein Leben, König Ottokars Glück und Ende
Right: Sappho, Medea, Des Meeres und der Liebe Wellen).

Grillparzer was also employed as a civil servant from 1813-1856. Although it was customary at the time for a trainee to wait 12 years for his first salary, he was paid more quickly, receiving his first salary after just four years. As a minor civil servant in the Court Chamber, he celebrated his early literary successes; later in the Ministry of Finance, he was already a famous poet and became director of the Court Chamber Archives.

Grillparzer, like many other greats, constantly changed his lodgings. While in his youth he had to move from one poor dwelling to the next with his impoverished mother, who was widowed at an early age, later inner restlessness, imbalance and severe depression were the cause of many changes of location.

Located directly behind the main railway station in the 10th district, the Favoriten substation from 1931 is a monumental functional building of the municipal electricity works in red Vienna, probably influenced by the constructivist industrial architecture of the Soviet October Revolution.

The Austrian arch. Eugen Kastner and Fritz Waage grouped massive, rectangular and round structures on the triangular spandrel plot to form a ship-like building. The industrial building, which is still in operation, was also used as a control center for the power supply in the south of Vienna and beyond until it was renovated in 1999/2000.

Due to its gloomy and deserted appearance, the site is also often used as a prison setting in feature films.

#1100wien #favoriten #umspannwerk #roteswien #eugenkastner #fritzwaage #industriearchitektur #wienernetze #konstruktivismus

The architecturally attractive Meidling telephone exchange in the 12th district was built in 1913 by the „Bauleitung der k.k. Telefon-Zentrale“ before it went into operation in 1926 as a secondary exchange of the telephone network that had been built in Vienna since 1881.

The listed building with its arched window axes and vertically accentuated façade is exemplary of early 20th century industrial architecture in Vienna, the actual purpose of which is not apparent from the outside and which stands in stark contrast to the historicist tradition.

Initially, only 154 subscribers were switched manually in Friedrichstrasse, but by the 1920s the telephone network already had over 100,000 main lines – thanks in part to the automation of switching. By using underground long-distance cables and amplifiers, long-distance connections over 200 km (e.g. Vienna to Nuremberg) could be put into operation for the first time at this time.

Around 25 years after the formation of a prominent committee, the Lessing monument on Judenplatz in the 1st district was unveiled for the first time on June 15, 1935. The Viennese sculptor Siegfried Charoux was responsible for the bronze sculpture on a cubic stone plinth, also known for the Suttner monument at the courtyard of the same name and other monuments, often in municipal buildings.

Just four years later, the monument to the famous playwright and representative of the German Enlightenment, which probably also commemorates his main work „Nathan the Wise“, was dismantled by the Nazis and melted down for armaments. In May 1968, a new sculpture was unveiled by the artist, who had returned home from emigration in the meantime, before it was unveiled again at its current location in October 1981.

The reminder of the Ring Parable with its appeal to the idea of tolerance, directly opposite the entrance to the Jewish Museum and the Holocaust Memorial, could not be more topical.

The Albertina Art Museum in the 1st district is one of the most important and extensive collections of graphic art in the world. Founded in 1776 by Duke Albert of Saxony-Teschen and his wife Archduchess Marie Christine, the collection was moved in 1792 to today’s Palais Erzherzog Albrecht, which was then also used as the family’s residence.

This was subsequently also the case for his adopted son Archduke Karl („Victor of Aspern“ against Napoleon), his son Archduke Albrecht (to whom the equestrian monument on the ramp was later dedicated) and his adopted son Archduke Karl Ferdinand, who lived in the palace until the end of the monarchy in 1918.

I would be happy to provide further information on the history of the palace and the collection during a guided tour of the state rooms, which were restored during a general renovation in 2003, and a visit to a current exhibition and the Batliner Collection, which has also been housed there since 2007.

Completed in 1901, the building of the former Portios & Fix company – important furniture manufacturers in Austria-Hungary – by Max Fabiani in Ungargasse in the 3rd district shows the full skill of this extraordinary architect of functionalist modernism. The attic with its semicircular, wrought-iron eaves lattice and the strikingly geometric, colorful tiling of the grid-like façade is considered an important early work by Fabiani, a student of Otto Wagner.

Among the best-known buildings of his extensive oeuvre are the „Urania“ public education center, the Artaria publishing house on Kohlmarkt and several private villas in Vienna and Slovenia.

The contemporary Alban Berg monument from 2016 in front of the Vienna State Opera is not just an ideal meeting point for visitors to Vienna. It commemorates both the composer of the Viennese atonal school, Alban Berg, and three fellow composers associated with his work: his teacher Arnold Schönberg, his friend Anton Webern and court opera director Gustav Mahler.

The exhibition designed by the renowned Arch. Wolf D. Prix of Coop Himmelb(l)au, the 5m high cast aluminum sculpture with 3 loops probably also reflects the expressive lines of the music, the 12-step pedestal refers to twelve-tone music.

Alban Berg is regarded as a major innovator of 20th century music, in particular his operas „Wozzeck“ and „Lulu“ are considered masterpieces and are regularly performed, as are orchestral pieces and the violin concerto.

There is hardly a tour through the backyards of Vienna without a visit to the Fähnrichhof in the Inner City, which can be entered through the no less famous Blutgasse. The foundation in the 13th century is legendarily connected with the Templars, who are said to have had their headquarters there.

The eventful history of the complex, which was partly built in Renaissance style, tells of its use as a branch of the Niklaskoster, as a hostel, beer house, artists‘ studios and residence of important historical personalities, e.g. the physician and humanist Johannes Cuspinian (with the well-known cenotaph in St. Stephen’s Cathedral). The name probably derives from its use as a meeting place of a citizens‘ company.

Today, the complex of houses is considered a prime example of restoration and preservation of the historical building structure. After considerable damage during WWII, the City of Vienna took over the restoration, which was completed in 1965. In addition to the Pawlatschen (balconies) so typical for Vienna, a more than 250-year-old plane tree decorates the interior.