As early as 1823, Joseph Lobmeyr founded a glass manufacturing company and settled in Kärntner Straße in the 1st district. From the 1860s, the manufacturer of cut and engraved glass was then also allowed to bear the seal of quality „k.u.k. Hofglaser und Hofglashändler“ and the family devoted itself to supporting avant-garde artists, who are still omnipresent in the showroom and glass museum of the store.

Participation in world exhibitions, various arts and crafts and museum exhibitions (including the MAK) and also the establishment of a workshop for the production of contemporary lighting fixtures, also brought international attention. The chandeliers in the Metropolitan Opera in New York for example come from the traditional Viennese company, which also operates glass studios in Stoob (Bgld) and Baden (NÖ).

On request, members of the sixth generation of the family also give guided tours of the extensive and exclusive Wiener Werkstätte collection and teach glassmaking techniques, followed by tastings from Lobmayr glasses.

The Danube-Oder Canal on the outskirts of Vienna near the Lobau is an ultimately failed project for the construction of a waterway to connect the Danube with the Oder. Of the 40km long canal originally planned in Austria, only the initial sections – starting from the Vienna tank farm – with a length of about 2.3km were realized in the 1930s and today serve as fishing grounds and bathing lakes for the local residents.

Ideas to build continuous European waterways for the transport of goods emerged as early as the late Middle Ages, and the first concrete plans were made in the 18th and 19th centuries with the advent of industrialization. At the beginning of the 20th century, a decision was made to plan and build the waterway, which was ready for construction from 1910, but was stopped by World War II. Under the Nazis, the construction of a 90m wide harbor basin and 4 canal sections (DOK I-IV) actually began from 1939, most of which are now in Lower Austria.

In the late 20th century, renewed thoughts about further construction were finally discarded for ecological reasons. The evaporation of the surface water leads to a lowering of the groundwater level and for the complete realization massive negative effects on existing nature reserves would have to be feared.

The Augarten Porcelain Manufactory was re-established in 1923 as a continuation of the Imperial and Royal Porcelain Manufactory closed in 1864. Porzellanmanufaktur closed in 1864 and was reestablished in 1923. Today the building houses a store and a museum where the history of porcelain production in Vienna, beginning with a patent granted by Emperor Charles VI in 1718, is shown.

Furthermore, the method of production, the partly historical decorations and outstanding objects of the product range of different style epochs are presented.

Completed in 1933, Karl-Seitz-Hof in the Jedlesee district of Floridsdorf is considered one of the most architecturally significant municipal buildings in the city of Vienna. Hubert Gessner built the complex in typical superblock construction with a striking central front, a multitude of inner courtyards and staggered towers.

Originally designed as the „Garden City Jedlesee“ with more than 2,500 apartments (today around 1,700), the complex was also the scene of the civil war in February 1934 and was named in 1951 after Vienna’s mayor and first Austrian head of state Karl Seitz, to whom the central monument in the cour d’honneur is also dedicated.

The depictions of Emperor Charles IV and his first wife Queen Blanca of Valois are located on the south tower of St. Stephen’s Cathedral and can be viewed in their original form in the Lower Belvedere. To emphasize the dynastic representative function, Duke Rudolf IV („the founder“) commissioned these Gothic masterpieces – the so-called princely figures.

The artists from the 14th century are unknown, but the statues are made of one cast and impress with elegant hip swing. The lions on which they stand represented their power. The two representations of Emperor Charles IV and his first wife Queen Blanca of Valois are located on the South tower of St. Stephen’s Cathedral and can be seen in original in the Lower Belvedere.

The water reservoir iput into operation together with the 2nd Viennese high spring water pipeline in 1910. With its neo-Romanesque-secessionist architectural style it still represents an exceptional example of the transfer of representative architecture to a utility building.

With a capacity of 11,800 m3, the plant is still part of the Vienna water supply and a popular destination on the Hackenberg.

The Allied Courtyard, built in 1897 for the textile industrialist Julius Leon von Wernburg, replaced the building „Zu den drei Allierten“ („To the Three Allies“) that had been there before. The name refers to the ceremonial entry of the 3 emperors Franz I, Friedrich Wilhelm III of Prussia and the Russian Tsar Alexander I on the occasion of the opening of the Congress of Vienna on September 25, 1814 in Vienna. As a reminder, on the 1st floor you can still see the clearly visible relief of the allied rulers.

The building – erected by Ludwig Tischler, a busy architect in Vienna – impresses with its strikingly structured facade in the form of bay windows and balconies. An originally existing dome – today indicated by a metal construction – and the prominent location make the Alliiertenhof a real eye-catcher in Leopoldstadt.

The water tower in Vienna-Floridsdorf is part of the tractor factory built in 1905 by industrialists Nathaniel Clayton and Josef Shuttleworth. Agricultural machinery was produced at the factory site until 1944 but the plant was then severely damaged by 2 bomb hits in 1944/45 and taken over by Elin-Union in 1968.

Besides the landmark water tower, only the former machine magazine from 1913 (now used as a coworking space „creativ cluster Floridsdorf“) reminds of the industrial plant today.

Vivid statue of Maria Theresa in the Great Festival Hall of the University of Vienna by Josef Pechan (1886). Maria Theresa was an important reformer of the University of Vienna and initiator of the former assembly hall building at Ignaz-Seipel-Platz (from 1857 Academy of Sciences).

At the turn of the year, the traditional New Year’s Concert of the Vienna Philharmonic Orchestra in the Großer Musikvereinssaal.