Monat: November 2023

The architecturally attractive Meidling telephone exchange in the 12th district was built in 1913 by the „Bauleitung der k.k. Telefon-Zentrale“ before it went into operation in 1926 as a secondary exchange of the telephone network that had been built in Vienna since 1881.

The listed building with its arched window axes and vertically accentuated façade is exemplary of early 20th century industrial architecture in Vienna, the actual purpose of which is not apparent from the outside and which stands in stark contrast to the historicist tradition.

Initially, only 154 subscribers were switched manually in Friedrichstrasse, but by the 1920s the telephone network already had over 100,000 main lines – thanks in part to the automation of switching. By using underground long-distance cables and amplifiers, long-distance connections over 200 km (e.g. Vienna to Nuremberg) could be put into operation for the first time at this time.

Around 25 years after the formation of a prominent committee, the Lessing monument on Judenplatz in the 1st district was unveiled for the first time on June 15, 1935. The Viennese sculptor Siegfried Charoux was responsible for the bronze sculpture on a cubic stone plinth, also known for the Suttner monument at the courtyard of the same name and other monuments, often in municipal buildings.

Just four years later, the monument to the famous playwright and representative of the German Enlightenment, which probably also commemorates his main work „Nathan the Wise“, was dismantled by the Nazis and melted down for armaments. In May 1968, a new sculpture was unveiled by the artist, who had returned home from emigration in the meantime, before it was unveiled again at its current location in October 1981.

The reminder of the Ring Parable with its appeal to the idea of tolerance, directly opposite the entrance to the Jewish Museum and the Holocaust Memorial, could not be more topical.

The Albertina Art Museum in the 1st district is one of the most important and extensive collections of graphic art in the world. Founded in 1776 by Duke Albert of Saxony-Teschen and his wife Archduchess Marie Christine, the collection was moved in 1792 to today’s Palais Erzherzog Albrecht, which was then also used as the family’s residence.

This was subsequently also the case for his adopted son Archduke Karl („Victor of Aspern“ against Napoleon), his son Archduke Albrecht (to whom the equestrian monument on the ramp was later dedicated) and his adopted son Archduke Karl Ferdinand, who lived in the palace until the end of the monarchy in 1918.

I would be happy to provide further information on the history of the palace and the collection during a guided tour of the state rooms, which were restored during a general renovation in 2003, and a visit to a current exhibition and the Batliner Collection, which has also been housed there since 2007.

Completed in 1901, the building of the former Portios & Fix company – important furniture manufacturers in Austria-Hungary – by Max Fabiani in Ungargasse in the 3rd district shows the full skill of this extraordinary architect of functionalist modernism. The attic with its semicircular, wrought-iron eaves lattice and the strikingly geometric, colorful tiling of the grid-like façade is considered an important early work by Fabiani, a student of Otto Wagner.

Among the best-known buildings of his extensive oeuvre are the „Urania“ public education center, the Artaria publishing house on Kohlmarkt and several private villas in Vienna and Slovenia.